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Stop List of the Midmer-Losh Organ's Seven-Manual Console with notes by ACCHOS President Stephen D. Smith |
| PEDAL RIGHT |
| This is the home of two of the instrument's most famous stops, i.e. the Grand Ophicleide on 100 inches of wind and the full-length 64-foot Dulzian, which has diaphone pipes for its 22 lowest notes. The Pedal is the instrument's largest department. Its various sections have a total of 182 speaking registers, including a substantial number of borrowed manual stops. |
17 |
Diaphone |
64 |
35" | from Dulzian |
21 |
Sub Principal |
32 |
20" | from Sub Principal, Great |
1 |
Contra Tibia Clausa |
32 |
20" | extended |
1 |
Tibia Quint |
211/3 |
20" | ext. Tibia Clausa |
2 |
Diaphone Phonon |
16 |
50" | extended |
4 |
Principal |
16 |
30" | extended |
21 |
Diapason |
16 |
20" | from Sub Principal, Great |
22 |
Diapason |
16 |
20" | from Double Diapason I, Great |
82 |
Geigen Diapason |
16 |
15" | from Geigen Diapason, Great-Solo |
3 |
Tibia Major |
16 |
30" | extended |
59 |
Major Flute |
16 |
30" | from Major Flute, Solo |
81 |
Wald Flute |
16 |
15" | from Wald Flute, Great-Solo |
1 |
Grand Bourdon |
16 |
20" | ext. Contra Tibia Clausa |
83 |
Tibia Clausa |
16 |
15" | from Tibia Clausa, Great-Solo |
5 |
Viol |
16 |
30" | extended |
6 |
Gross Tierce |
124/5 |
20" | extended |
2 |
Diaphone Quint |
102/3 |
50" | ext. Diaphone Phonon |
4 |
Principal Quint |
102/3 |
30" | ext. Principal |
3 |
Tibia Quint |
102/3 |
30" | ext. Tibia Major |
1 |
Tibia Quint |
102/3 |
20" | ext. Contra Tibia Clausa |
83 |
Quint Minor |
102/3 |
15" | from Tibia Clausa, Great-Solo |
7 |
Septieme |
91/7 |
20" | extended |
4 |
Octave Principal |
8 |
30" | ext. Principal |
22 |
Octave Major |
8 |
20" | from Double Diapason I, Great |
85 |
Octave Diapason |
8 |
15" | from Horn Diapason, Great-Solo |
82 |
Octave Geigen |
8 |
15" | from Geigen Diapason, Great-Solo |
87 |
Gross Gemshorn |
8 |
15" | from Gemshorn, Great-Solo |
3 |
Tibia Major |
8 |
30" | ext. Tibia Major |
1 |
Tibia Clausa |
8 |
20" | ext. Contra Tibia Clausa |
86 |
Doppel Gedeckt |
8 |
15" | from Doppel Gedeckt, Great-Solo |
5 |
Viol |
8 |
30" | ext. Viol |
6 |
Gross Tierce |
62/5 |
20" | ext. Gross Tierce |
4 |
Principal Quint |
51/3 |
30" | ext. Principal |
3 |
Tibia Quint |
51/3 |
30" | ext. Tibia Major |
1 |
Tibia Quint |
51/3 |
20" | ext. Contra Tibia Clausa |
7 |
Gross Septieme |
44/7 |
20" | ext. Septieme |
4 |
Super Octave |
4 |
30" | ext. Principal |
85 |
Fifteenth |
4 |
15" | from Horn Diapason, Great-Solo |
3 |
Tibia Fifteenth |
4 |
30" | ext. Tibia Major |
1 |
Flute Fifteenth |
4 |
20" | ext. Contra Tibia Clausa |
5 |
Viol Fifteenth |
4 |
30" | ext. Viol |
6 |
Tierce |
31/5 |
20" | ext. Gross Tierce |
3 |
Tibia Nineteenth |
22/3 |
30" | ext. Tibia Major |
1 |
Flute Nineteenth |
22/3 |
20" | ext. Contra Tibia Clausa |
5 |
Viol Nineteenth |
22/3 |
30" | ext. Viol |
7 |
Septieme |
22/7 |
20" | ext. Septieme |
3 |
Tibia Twenty-Second |
2 |
30" | ext. Tibia Major |
81 |
Flageolet |
2 |
15" | from Wald Flute, Great-Solo |
6 |
Octave Tierce |
13/5 |
20" | ext. Gross Tierce |
1 |
Tibia Twenty-Sixth |
11/3 |
30" | ext. Tibia Major |
7 |
Octave Septieme |
11/7 |
20" | ext. Septieme |
1 |
Flute Twenty-Ninth |
1 |
20" | ext. Contra Tibia Clausa |
|
Mixture |
XI |
15" | from various Great-Solo ranks |
|
Reed Mixture |
V |
15" | from various Great-Solo ranks |
17 |
Dulzian |
64 |
35" | ext. Dulzian |
17 |
Contra Dulz Quint |
422/3 |
35" | ext. Dulzian |
8 |
Contra Bombardon |
32 |
35" | ext. Bombardon |
17 |
Contra Dulzian |
32 |
35" | ext. Dulzian |
17 |
Dulzian Quint |
211/3 |
35" | ext. Dulzian |
9 |
Grand Ophicleide |
16 |
100" | extended |
73 |
Tuba Magna |
16 |
50" | from Tuba Magna, Solo |
8 |
Bombardon |
16 |
35" | extended |
74 |
Trumpet Profunda |
16 |
30" | from Trumpet Profunda, Solo |
17 |
Dulzian |
16 |
35" | extended |
10 |
Trumpet |
16 |
20" | extended |
96 |
Saxophone |
16 |
15" | from Saxophone, Great-Solo |
98 |
French Horn |
16 |
15" | from French Horn, Great-Solo |
97 |
English Horn |
16 |
15" | from English Horn, Great-Solo |
95 |
Oboe Horn |
16 |
15" | from Oboe Horn, Great-Solo |
100 |
Krummhorn |
16 |
15" | from Krummhorn, Great-Solo |
99 |
Vox Baryton |
16 |
15" | from Vox Baryton, Great-Solo |
8 |
Bombard Quint |
102/3 |
35" | ext. Bombardon |
17 |
Dulzian Quint |
102/3 |
35" | ext. Dulzian |
9 |
Ophicleide |
8 |
100" | ext. Grand Ophicleide |
78 |
Bugle |
8 |
50" | from Bugle, Solo |
8 |
Octave Bombardon |
8 |
35" | ext. Bombardon |
17 |
Octave Dulzian |
8 |
35" | ext. Dulzian |
100 |
Krummhorn |
8 |
15" | from Krummhorn, Great-Solo |
99 |
Vox Baryton |
8 |
15" | from Vox Baryton, Great-Solo |
8 |
Bombardon Quint |
51/3 |
35" | ext. Bombardon |
10 |
Trumpet Quint |
51/3 |
20" | ext. Trumpet |
17 |
Dulzian Fifteenth |
4 |
35" | ext. Dulzian |
10 |
Trumpet Fifteenth |
4 |
10" | ext. Trumpet |
| PEDAL LEFT |
| Among the notable stops in this section are two 32-foots (Diaphone and Bombard) on 50-inch wind pressure. The Pedal organ's only two straight stops (Major Diapason 16 and the seven-rank Stentor Sesquialtera) are also to be found here. As with the Pedal Right, most of the manual doubles in the vicinity are duplexed to this section. Only five manual doubles are not available on the Pedal which, in total, has 66 16-foot registers. |
11 |
Diaphone |
32 |
50" | ext. Diaphone |
12 |
Diapason |
32 |
20" | ext. Diapason |
11 |
Diaphone |
16 |
50" | extended |
13 |
Diaphonic Diapason |
16 |
35" | extended |
320 |
Major Diapason |
16 |
20" | |
12 |
Diapason |
16 |
20" | extended |
117 |
Diapason |
16 |
15" | from Double Diapason, Swell |
15 |
Tibia Clausa |
16 |
20" | extended |
147 |
Doppel Gedeckt |
16 |
15" | from Doppel Gedeckt, Swell-Choir |
311 |
Stopped Diapason |
16 |
10" | from Stopped Diapason, Swell-Choir |
14 |
Bass Viol |
16 |
20" | extended |
254 |
Bass Viol |
16 |
25" | from Contra Basso, String I |
131 |
Bass Gamba |
16 |
15" | from Contra Gamba, Swell |
148 |
Cone Gamba |
16 |
15" | from Cone Gamba, Swell-Choir |
12 |
Diapason Quint |
102/3 |
10" | ext. Diapason |
311 |
Stopped Quint |
102/3 |
10" | from Stopped Diapason, Swell-Choir |
148 |
Cone Quint |
102/3 |
15" | from Cone Gamba, Swell-Choir |
11 |
Octave Diaphone |
8 |
50" | ext. Diahone |
13 |
Octave Phonon |
8 |
35" | ext. Diaphonic Diapason |
15 |
Gross Flute |
8 |
20" | ext. Tibia Clausa |
152 |
Octave Gemshorn |
8 |
15" | from Gemshorn, Swell-Choir |
149 |
Clarabella |
8 |
15" | from Clarabella, Swell-Choir |
14 |
Cello |
8 |
20" | ext. Bass Viol |
155 |
Tenth |
62/5 |
10" | from Third, Swell-Choir |
155 |
Twelfth |
51/3 |
10" | from Fifth, Swell-Choir |
155 |
Fourteenth |
44/7 |
10" | from Seventh, Swell-Choir |
11 |
Fifteenth |
4 |
50" | ext. Diaphone |
12 |
Super Octave |
4 |
20" | ext. Diapason |
152 |
Gemshorn Fifteenth |
4 |
15" | from Gemshorn, Swell-Choir |
15 |
Flute Fifteenth |
4 |
20" | ext. Tibia Clausa |
155 |
Seventeenth |
31/5 |
10" | from Third, Swell-Choir |
155 |
Nineteenth |
22/3 |
10" | from Fifth, Swell-Choir |
155 |
Twenty-First |
22/7 |
10" | from Seventh, Swell-Choir |
12 |
Twenty-Second |
2 |
20" | ext. Diapason |
152 |
Gemshorn Twenty-Second |
2 |
15" | from Gemshorn, Swell-Choir |
15 |
Twenty-Second |
2 |
20" | ext. Tibia Clausa |
15 |
Twenty-Ninth |
1 |
20" | ext. Tibia Clausa |
16 |
Stentor Sesquialtera |
VII |
20" | |
|
Grave Mixture |
VI |
15" | from various Swell-Choir ranks |
18 |
Contra Bombard |
32 |
50" | ext. Bombard |
19 |
Fagotto |
32 |
20" | ext. Fagotto |
20 |
Major Posaune |
16 |
50" | extended |
18 |
Bombard |
16 |
50" | extended |
138 |
Trumpet |
16 |
30" | from Double Trumpet, Swell |
142 |
Horn |
16 |
15" | from Double Horn, Swell |
19 |
Fagotto |
16 |
20" | extended |
160 |
Oboe |
16 |
15" | from Oboe, Swell-Choir |
161 |
Clarinet |
16 |
15" | from Clarinet, Swell-Choir |
162 |
Vox Humana |
16 |
15" | from Vox Humana, Swell-Choir |
20 |
Major Posaune |
8 |
50" | ext. Major Posaune |
18 |
Octave Bombard |
8 |
50" | ext. Bombard |
19 |
Octave Fagotto |
8 |
20" | ext. Fagotto |
160 |
Octave Oboe |
8 |
15" | from Oboe, Swell-Choir |
161 |
Octave Clarinet |
8 |
15" | from Clarinet, Swell-Choir |
19 |
Horn Twelfth |
51/3 |
20" | ext. Fagotto |
18 |
Bombard Fifteenth |
4 |
50" | ext. Bombard |
19 |
Horn Fifteenth |
4 |
20" | ext. Fagotto |
160 |
Oboe Fifteenth |
4 |
15" | from Oboe, Swell-Choir |
19 |
Horn Nineteenth |
22/3 |
20" | ext. Fagotto |
19 |
Fagotto Twenty-Second |
2 |
20" | ext. Fagotto |
| PEDAL RIGHT GALLERY |
| The Pedal's Gallery sections have no stops of their own but consist of registers derived from local manual departments. The majority of the Right Gallery's voices are from the Echo but stops from local String and Gallery organs are also available, including the 100-inch Trumpet Sonora 16. |
298 |
Contra Violone |
32 |
25" | from Violone, Echo |
233 |
Diaphone |
16 |
25" | from Diaphone, Gallery I |
242 |
Flute Maggiore |
16 |
25" | from Flauto Maggiore, Gallery II |
214 |
Spire Flute |
16 |
15" | from Spire Flute, Echo |
220 |
Bourdon |
16 |
15" | from Clarabella, Echo |
298 |
Contra Violone |
16 |
25" | from Violone, Echo |
265 |
Double Bass |
16 |
15" | from Double Bass, String II |
266 |
Contra Bass |
16 |
15" | from Contra Bass, String II |
267 |
Contra Viole |
16 |
15" | from Contra Viole, String II |
213 |
Contra Gamba |
16 |
15" | from Gamba, Echo |
220 |
Flute Quint |
102/3 |
15" | from Clarabella, Echo |
298 |
Violone |
8 |
25" | from Violone, Echo |
298 |
Violone |
4 |
25" | from Violone, Echo |
235 |
Trumpet Sonora |
16 |
100" | from Trumpet Mirabilis, Gallery I |
231 |
Tuba d'Amour |
16 |
25" | from Tuba d'Amour, Echo |
226 |
Contra Bassoon |
16 |
15" | from Bassoon, Echo |
227 |
Chalumeau |
16 |
15" | from Clarinet, Echo |
230 |
Vox Humana |
16 |
15" | from Vox Humana II, Echo |
226 |
Bassoon |
8 |
15" | from Bassoon, Echo |
| PEDAL LEFT GALLERY |
| Most of the registers here are borrowed from the Fanfare which, like the Echo organ opposite, is situated high-up the room's ceiling. The reed section includes a interesting array of mutations. Stops from the local Gallery organs and from the enclosed Choir are also available. |
236 |
Grand Diapason |
16 |
20" | from Contra Diapason, Gallery III |
171 |
Dulciana |
16 |
10" | from Dulciana, Choir |
197 |
Major Flauto |
16 |
20 | from Major Flute, Fanfare |
176 |
Double Melodia |
16 |
10" | from Melodia, Choir |
176 |
Melodia |
8 |
10" | from Melodia, Choir |
299 |
Contra Trombone |
32 |
35" | from Trombone, Fanfare |
205 |
Posaune |
16 |
50" | from Posaune, Fanfare |
299 |
Trombone |
16 |
35" | from Trombone, Fanfare |
206 |
Bombardon |
16 |
35" | from Bombardon, Fanfare |
188 |
Trombone |
16 |
25" | from Contra Tromba, Choir |
249 |
Saxophone |
16 |
25" | from Saxophone, Gallery IV |
209 |
Tromba Quint |
102/3 |
20" | from Tromba Quint, Fanfare |
299 |
Trombone |
8 |
35" | from Trombone, Fanfare |
188 |
Tromba |
8 |
25" | from Contra Tromba, Choir |
210 |
Tromba Tierce |
62/5 |
20" | from Tromba Tierce, Fanfare |
209 |
Tromba Quint |
51/3 |
20" | from Tromba Quint, Fanfare |
210 |
Tromba Seventeenth |
31/5 |
20" | from Tromba Tierce, Fanfare |
| PEDAL PERCUSSION |
| The instrument's Percussion section was originally to be enclosed in its own swell box. In the event, it ended-up unenclosed. All stops are housed in the Right Stage chamber, except for the Piano - which is accommodated in the Left Center (Gallery) chamber. |
A |
Grand Piano |
16 |
| from Percussion |
A |
Grand Piano |
8 |
| from Percussion |
108 |
Chimes |
8 |
| from Great-Solo |
B |
Contra Drum Strike |
FF |
| from Percussion |
B |
Contra Drum Roll |
FF |
| from Percussion |
B |
Contra Drum Strike |
MP |
| from Percussion |
B |
Contra Drum Roll |
MP |
| from Percussion |
C |
Bass Drum Strike |
|
| from Percussion |
C |
Bass Drum Roll |
|
| from Percussion |
C |
Bass Drum Strike |
|
| from Percussion |
C |
Bass Drum Roll |
|
| from Percussion |
D |
Bass Drum Strike |
|
| from Percussion |
D |
Bass Drum Roll |
|
| from Percussion |
F,G |
Snare Drums Roll |
|
| from Percussion |
E |
Snare Drum Roll |
|
| from Percussion |
I |
Chinese Gong Strike |
|
| from Percussion |
I |
Chinese Gong Roll |
|
| from Percussion |
J |
Persian Cymbal |
|
| from Percussion |
K |
Persian Cymbal |
|
| from Percussion |
H |
Cymbal |
|
| from Percussion |
| PEDAL COUPLERS |
|
Pedal Divide |
|
| |
|
Choir to Pedal |
8 |
| |
|
Choir to Pedal |
4 |
| |
|
Great to Pedal |
8 |
| |
|
Great to Pedal |
4 |
| |
|
Swell to Pedal |
8 |
| |
|
Swell to Pedal |
4 |
| |
|
Solo to Pedal |
8 |
| |
|
Solo to Pedal |
4 |
| |
|
Fanfare to Pedal |
8 |
| |
|
Fanfare to Pedal |
4 |
| |
|
Echo to Pedal |
8 |
| |
|
Gallery I to Pedal |
|
| |
|
Gallery II to Pedal |
|
| |
|
Gallery III to Pedal |
|
| |
|
Gallery IV to Pedal |
|
| |
|
Brass Chorus to Pedal |
|
| |
|
String I to Pedal |
|
| |
|
String II to Pedal |
|
| |
|
String III to Pedal |
|
| |
| PEDAL SECOND TOUCH |
17 |
Diaphone |
64 |
35" | from Dulzian, Pedal Right |
11 |
Diaphone |
32 |
50" | from Diaphone, Pedal Left |
13 |
Diaphonic Diapason |
16 |
35" | from Diaphonic Diapason, Pedal Left |
3 |
Tibia Major |
16 |
30" | from Tibia Major, Pedal Right |
5 |
Contra Viol |
16 |
30" | from Viol, Pedal Right |
3 |
Tibia Major |
8 |
30" | from Tibia Major, Pedal Right |
5 |
Viol |
8 |
30" | from Viol, Pedal Right |
3 |
Tibia Major |
4 |
30" | from Tibia Major, Pedal Right |
5 |
Viol |
4 |
30" | from Viol, Pedal Right |
17 |
Dulzian |
64 |
35" | from Dulzian, Pedal Right |
18 |
Contra Bombard |
32 |
50" | from Bombard, Pedal Left |
8 |
Contra Bombardon |
32 |
35" | from Bombard, Pedal Right |
9 |
Ophicleide |
16 |
100" | from Grand Ophicleide, Pedal Right |
20 |
Posaune |
16 |
50" | from Major Posaune, Pedal Left |
18 |
Bombard |
16 |
50" | from Bombard, Pedal Left |
8 |
Bombardon |
16 |
35" | from Bombardon, Pedal Right |
9 |
Ophicleide |
8 |
100" | from Grand Ophicleide, Pedal Right |
20 |
Posaune |
8 |
50" | from Major Posaune, Pedal Left |
8 |
Bombardon |
8 |
35" | from Bombardon, Pedal Right |
17 |
Dulzian |
8 |
35" | from Dulzian, Pedal Right |
18 |
Bombard |
4 |
50" | from Bombard, Pedal Left |
17 |
Dulzian |
4 |
35" | from Dulzian, Pedal Right |
108 |
Chimes |
8 |
| from Great-Solo |
B |
Contra Drum Strike |
FF |
| from Percussion |
B |
Contra Drum Roll |
FF |
| from Percussion |
C |
Bass Drum Strike |
FF |
| from Percussion |
C |
Bass Drum Roll |
FF |
| from Percussion |
D |
Bass Drum Strike |
FF |
| from Percussion |
F,G |
Snare Drums Roll |
FF |
| from Percussion |
E |
Snare Drum Strike |
FF |
| from Percussion |
E |
Snare Drum Roll |
FF |
| from Percussion |
J,K |
Persian Cymbals |
|
| from Percussion |
H |
Cymbals |
|
| from Percussion |
|
Fanfare to Pedal |
8 |
| |
|
Gallery I to Pedal |
|
| |
|
Gallery III to Pedal |
|
| |
|
Brass Chorus to Choir |
|
| |
|
String I to Pedal |
|
| |
|
String II to Pedal |
|
| |
| UNENCLOSED CHOIR - Manual 1 |
| Although this is one of the instrument's smallest departments, it is also one of the most important. Richards designed it "to reproduce the old-fashioned 'little great' ... a homogeneous ensemble similar to the Silberman organ familiar to Bach." Richards believed North American organs were tonally deficient, lacking "the blaze of color that Bach had at his disposal two centuries ago". By providing it alongside the more usual enclosed Choir organ, he was attempting to bring about change through evolution rather than revolution. |
165 |
Quintaton |
16 |
31/2" | |
166 |
Diapason |
8 |
31/2" | |
167 |
Holz Flute |
8 |
31/2" | |
168 |
Octave |
4 |
31/2" | |
169 |
Fifteenth |
2 |
31/2" | |
170 |
Rausch Quint 12–15 |
II |
31/2" | |
170 |
Scharf Mixture 19–22 |
II |
31/2" | |
| CHOIR - Manual 1 |
| Richards was of the opinion that the Choir organ in the USA had become a "depository for all the fancy stops and organists' pets that cannot be conveniently distributed to other manuals. Both builders and organists will tell us that the Choir is an accompanimental organ...", adding, "there is nothing accompanimental about a clarinet or French horn...". Despite these words being written a few years before he started designing the Auditorium organ, the enclosed Choir contains all those things he rails against. Nevertheless, by doing this, he was catering for the traditionalists as well as for those who sought a new style in the form of the Unenclosed Choir. |
171 |
Contra Dulciana |
16 |
10" | ext. Dulciana |
176 |
Contra Melodia |
16 |
10" | ext. Melodia |
172 |
Diapason I |
8 |
10" | |
173 |
Diapason II |
8 |
10" | |
171 |
Dulciana |
8 |
10" | extended |
174 |
Dulciana Celeste |
8 |
10" | |
184 |
Gemshorn |
8 |
10" | |
185 |
Gemshorn Celeste |
8 |
10" | |
176 |
Melodia |
8 |
10" | extended |
177 |
Philomela |
8 |
10" | |
178 |
Concert Flute |
8 |
10" | |
179 |
Unda Maris |
8 |
10" | |
308 |
Nachthorn |
8 |
10" | |
186 |
Viola Pomposa |
8 |
10" | |
187 |
Viola Celeste |
8 |
10" | |
310 |
Voix Celeste (2 ranks) |
8 |
10" | |
171 |
Dulzquint |
51/3 |
10" | ext. Dulciana |
175 |
Dolce |
4 |
10" | extended |
180 |
Spindle Flute |
4 |
10" | |
181 |
Flute Overte |
4 |
10" | |
309 |
Fugara |
4 |
10" | |
175 |
Dulzard Twelfth |
22/3 |
10" | ext. Dolce |
176 |
Melodia Twelfth |
22/3 |
10" | ext. Melodia |
182 |
Flageolet |
2 |
10" | |
175 |
Dulcett Fifteenth |
2 |
10" | ext. Dolce |
176 |
Melodia Fifteenth |
2 |
10" | ext. Melodia |
175 |
Dulce Nineteenth |
11/3 |
10" | ext. Dolce |
175 |
Dulcinett Twenty-Second |
1 |
10" | ext. Dolce |
183 |
Flute Mixture 15–17 |
III |
10" | |
196 |
Acuta 19–31 |
VI |
10" | |
188 |
Contra Tomba |
16 |
25" | extended |
189 |
Tromba Real |
8 |
25" | |
190 |
Brass Cornet |
8 |
25" | |
191 |
French Horn |
8 |
10" | |
192 |
Clarinet |
8 |
10" | |
193 |
Bassett Horn |
8 |
10" | |
194 |
Cor Anglais |
8 |
10" | |
195 |
Kinura |
8 |
10" | |
188 |
Tromba Clarion |
4 |
25" | ext. Contra Tromba |
|
Sub Octave |
16 |
| |
|
Octave |
4 |
| |
|
Great to Choir |
8 |
| |
|
Swell to Choir |
8 |
| |
|
Swell to Choir |
4 |
| |
|
Solo to Choir |
8 |
| |
|
Solo to Choir |
4 |
| |
|
Fanfare to Choir |
8 |
| |
|
Echo to Choir |
8 |
| |
|
Gallery I to Choir |
|
| |
|
Gallery II to Choir |
|
| |
|
Gallery III to Choir |
|
| |
|
Gallery IV to Choir |
|
| |
|
Brass Chorus to Choir |
|
| |
|
String I to Choir |
|
| |
|
String II to Choir |
|
| |
|
String III to Choir |
|
| |
| CHOIR-SWELL - Manual 1 |
147 |
Gross Gedeckt |
16 |
15" | from Swell-Choir |
311 |
Stopped Diapason |
16 |
10" | from Swell-Choir |
148 |
Cone Gamba |
16 |
15" | from Swell-Choir |
152 |
Gemshorn |
8 |
15" | from Swell-Choir |
153 |
Gemshorn Celeste I |
8 |
15" | from Swell-Choir |
154 |
Gemshorn Celeste II |
8 |
15" | from Swell-Choir |
149 |
Clarabella |
8 |
15" | from Swell-Choir |
150 |
Doppel Spitz Flute |
8 |
10" | from Swell-Choir |
147 |
Doppel Gedeckt |
8 |
15" | from Swell-Choir |
311 |
Stopped Diapason |
8 |
10" | from Swell-Choir |
148 |
Cone Gamba |
8 |
15" | from Swell-Choir |
155 |
Third |
62/5 |
10" | from Swell-Choir |
156 |
Fifth |
51/3 |
10" | from Swell-Choir |
153 |
Gemshorn Quint |
51/3 |
15" | from Swell-Choir |
148 |
Gamba Quint |
51/3 |
15" | from Swell-Choir |
157 |
Seventh |
44/7 |
10" | from Swell-Choir |
152 |
Octave Gemshorn |
4 |
15" | from Swell-Choir |
149 |
Claribel Flute |
4 |
15" | from Swell-Choir |
150 |
Spitz Flute |
4 |
10" | from Swell-Choir |
147 |
Doppel Flute |
4 |
15" | from Swell-Choir |
311 |
Stopped Flute |
4 |
10" | from Swell-Choir |
151 |
Zauber Flute |
4 |
15" | from Swell-Choir |
148 |
Cone Flute |
4 |
15" | from Swell-Choir |
158 |
Ninth |
35/9 |
10" | from Swell-Choir |
155 |
Major Tenth |
31/5 |
10" | from Swell-Choir |
154 |
Gemshorn Tenth |
31/5 |
15" | from Swell-Choir |
159 |
Eleventh |
210/11 |
10" | from Swell-Choir |
153 |
Gemshorn Twelfth |
22/3 |
15" | from Swell-Choir |
156 |
Twelfth |
22/3 |
10" | from Swell-Choir |
149 |
Flute Twelfth |
22/3 |
15" | from Swell-Choir |
311 |
Stopped Flute Twelfth |
22/3 |
10" | from Swell-Choir |
157 |
Octave Septieme |
22/7 |
10" | from Swell-Choir |
152 |
Gemshorn Fifteenth |
2 |
15" | from Swell-Choir |
150 |
Flute Fifteenth |
2 |
10" | from Swell-Choir |
151 |
Magic Flute |
2 |
15" | from Swell-Choir |
158 |
Sixteenth |
17/9 |
10" | from Swell-Choir |
155 |
Major Seventeenth |
13/5 |
10" | from Swell-Choir |
154 |
Gemshorn Seventeenth |
13/5 |
15" | from Swell-Choir |
159 |
Eighteenth |
15/11 |
10" | from Swell-Choir |
156 |
Major Nineteenth |
11/3 |
10" | from Swell-Choir |
153 |
Gemshorn Nineteenth |
11/3 |
15" | from Swell-Choir |
157 |
Twenty-First |
11/7 |
10" | from Swell-Choir |
152 |
Twenty-Second |
1 |
15" | from Swell-Choir |
151 |
Zauber Twenty-Second |
1 |
15" | from Swell-Choir |
158 |
Twenty-Third |
8/9 |
10" | from Swell-Choir |
155 |
Twenty-Fourth |
4/5 |
10" | from Swell-Choir |
159 |
Twenty-Fifth |
8/11 |
10" | from Swell-Choir |
156 |
Twenty-Sixth |
2/3 |
10" | from Swell-Choir |
152 |
Twenty-Ninth |
1/2 |
15" | from Swell-Choir |
152 |
Thirty-Sixth |
1/4 |
15" | from Swell-Choir |
19 |
Fagotto |
32 |
20" | from Fagotto, Pedal Left |
160 |
Contra Oboe |
16 |
15" | from Swell-Choir |
161 |
Bass Clarinet |
16 |
15" | from Swell-Choir |
162 |
Bass Vox Humana |
16 |
15" | from Swell-Choir |
160 |
Oboe |
8 |
15" | from Swell-Choir |
161 |
Clarinet |
8 |
15" | from Swell-Choir |
162 |
Vox Humana |
8 |
15" | from Swell-Choir |
160 |
Octave Oboe |
4 |
15" | from Swell-Choir |
161 |
Octave Clarinet |
4 |
15" | from Swell-Choir |
162 |
Vox Humana |
4 |
15" | from Swell-Choir |
163 |
Marimba Harp Repeat |
8 |
| from Swell-Choir |
163 |
Marimba Harp Stroke |
8 |
| from Swell-Choir |
164 |
Glockenspiel Repeat |
4 |
| from Swell-Choir |
164 |
Glockenspiel Single |
4 |
| from Swell-Choir |
164 |
Glockenspiel Single |
2 |
| from Swell-Choir |
F,G |
Snare Drums Roll |
|
| from Percussion |
F,G |
Snare Drums Tap |
|
| from Percussion |
E |
Snare Drum Roll |
|
| from Percussion |
E |
Snare Drum Tap |
|
| from Percussion |
P |
Tom-Tom |
|
| from Percussion |
O |
Wood Block |
|
| from Percussion |
M |
Castinets |
|
| from Percussion |
N |
Triangle |
|
| from Percussion |
| GRAND CHOIR - Manual 1 |
| These registers are derived from Pedal Left stops and are playable throughout the Choir manual's seven-octave compass. In common with other manual departments, each stop-key indicates the pitch of its register at the CC key. However, because the Choir manual extends down to CCC, pipes with a longer speaking length than that engraved on the stop-keys will sound when any of the 12 lowest keys are played. |
11 |
Diaphone |
16 |
50" | from Diaphone, Pedal Left |
11 |
Diaphone Melody What's this? |
16 |
50" | from Diaphone, Pedal Left |
11 |
Diaphone |
8 |
50" | from Diaphone, Pedal Left |
12 |
Diapason |
8 |
20" | from Diapason, Pedal Left |
13 |
Diaphonic Diapason |
8 |
35" | from Diaphonic Diapason, Pedal Left |
15 |
Tibia Clausa |
8 |
20" | from Tibia Clausa, Pedal Left |
14 |
Violoncello |
8 |
20" | from Bass Viol, Pedal Left |
18 |
Bombard |
16 |
50" | from Bombard, Pedal Left |
19 |
Fagotto |
16 |
20" | from Fagotto, Pedal Left |
20 |
Major Posaune |
8 |
50" | from Major Posaune, Pedal Left |
18 |
Bombard |
8 |
50" | from Bombard, Pedal Left |
11 |
Bombard Melody What's this? |
4 |
50" | from Bombard, Pedal Left |
19 |
Chalumeau |
8 |
20" | from Fagotto, Pedal Left |
19 |
Octave Oboe |
4 |
20" | from Fagotto, Pedal Left |
|
Grand Choir On |
|
| |
| CHOIR SECOND TOUCH - Manual 1 |
265 |
Double Bass |
16 |
15" | from Double Bass, String II |
266 |
Contra Bass |
16 |
15" | from Contra Bass, String II |
267 |
Contra Viol |
16 |
15" | from Contra Viol, String II |
265 |
Viola |
8 |
15" | from Double Bass, String II |
266 |
Violoncello |
8 |
15" | from Contra Bass, String II |
267 |
Violoncello |
8 |
15" | from Contra Viol, String II |
266 |
Violoncello |
4 |
15" | from Contra Bass, String II |
267 |
Violoncello |
4 |
15" | from Contra Viol, String II |
|
Fanfare to Choir |
8 |
| |
|
Gallery I to Choir |
|
| |
|
String I to Choir |
|
| |
|
String II to Choir |
|
| |
| GREAT - Manual 2 |
| This immense department - the instrument's largest, in terms of pipes - consists of three reed ranks (16-8-4), three flutes (8-8-4), and 57 principals (including two extended ranks). A total of 4,647 pipes! There are diapason choruses on 30, 20, 15, 10, and 4 inches of wind. Many ranks have double languid pipes to increase brightness. The reeds can be supplemented by coupling the floating Brass Chorus, which is located nearby. |
21 |
Sub Principal |
32 |
20" | extended |
22 |
Double Diapason I |
16 |
20" | extended |
23 |
Double Diapason II |
16 |
15" | |
24 |
Double Diapason III |
16 |
10" | |
25 |
Sub Quint |
102/3 |
15" | |
26 |
Diapason I |
8 |
30" | |
27 |
Diapason II |
8 |
30" | |
28 |
Diapason III |
8 |
20" | |
21 |
Principal |
8 |
20" | ext. Sub Principal |
29 |
Diapason IV |
8 |
15" | |
30 |
Diapason V |
8 |
15" | |
31 |
Diapason VI |
8 |
15" | |
32 |
Diapason VII |
8 |
10" | |
33 |
Diapason VIII |
8 |
10" | |
34 |
Diapason IX |
8 |
10" | |
35 |
Diapason X |
8 |
4" | |
53 |
Harmonic Flute |
8 |
15" | |
54 |
Flute Overte |
8 |
4" | |
36 |
Quint |
51/3 |
20" | |
37 |
Octave I |
4 |
20" | |
38 |
Octave II |
4 |
20" | |
22 |
Octave Diapason |
4 |
20" | ext. Double Diapason I |
39 |
Octave III |
4 |
15" | |
40 |
Octave IV |
4 |
10" | |
41 |
Octave V |
4 |
10" | |
55 |
Harmonic Flute |
4 |
15" | |
42 |
Gross Tierce |
31/5 |
20" | |
43 |
Major Twelfth |
22/3 |
20" | |
44 |
Fifteenth I |
2 |
20" | |
21 |
Super Principal |
2 |
20" | ext. Sub Principal |
45 |
Fifteenth II |
2 |
15" | |
46 |
Fifteenth III |
2 |
10" | |
47 |
Rausch Quint 5–8 |
II |
30" | |
48 |
Rausch Quint 12–15 |
II |
30" | |
49 |
Grand Cornet 05–22 |
XI |
20" | |
50 |
Major Sesquialtera 10–22 |
V |
20" | |
51 |
Schulze Mixture 12–26 |
V |
4" | |
52 |
Furniture 17–36 |
VI |
15" | |
49 |
Scharf Mixture 17–22 |
III |
20" | from Grand Cornet |
51 |
Doublette Mixture 22–26 |
II |
4" | from Schulze Mixture |
56 |
Trumpet |
16 |
30" | |
57 |
Harmonic Trumpet |
8 |
30" | |
58 |
Harmonic Clarion |
4 |
30" | |
F,G |
Snare Drums Roll |
|
| from Percussion |
F,G |
Snare Drums Tap |
|
| from Percussion |
E |
Snare Drum Roll |
|
| from Percussion |
E |
Snare Drum Tap |
|
| from Percussion |
P |
Tom-Tom |
|
| from Percussion |
O |
Wood Block Roll |
|
| from Percussion |
O |
Wood Block Stroke |
|
| from Percussion |
M |
Castinets |
|
| from Percussion |
L |
Tambourine |
|
| from Percussion |
N |
Triangle |
|
| from Percussion |
|
Choir to Great |
16 |
| |
|
Choir to Great |
8 |
| |
|
Choir to Great |
4 |
| |
|
Swell to Great |
16 |
| |
|
Swell to Great |
8 |
| |
|
Swell to Great |
4 |
| |
|
Solo to Great |
8 |
| |
|
Solo to Great |
4 |
| |
|
Fanfare to Great |
8 |
| |
|
Fanfare to Great |
4 |
| |
|
Echo to Great |
16 |
| |
|
Echo to Great |
8 |
| |
|
Echo to Great |
4 |
| |
|
Gallery I to Great |
|
| |
|
Gallery II to Great |
|
| |
|
Gallery III to Great |
|
| |
|
Gallery IV to Great |
|
| |
|
Brass Chorus to Great |
|
| |
|
String I to Great |
|
| |
|
String II to Great |
|
| |
|
String III to Great |
|
| |
| GREAT-SOLO - Manual 2 |
| The flue and reed sections of this department are enclosed in their own, independently-controlable swell boxes. The reed section includes a Flute Twelfth that was originally on the Solo organ (it was swapped with a French Horn). The Great-Solo's registers are duplexed, stop-key for stop-key, to the Solo manual, where it is known as the Solo-Great. |
82 |
Geigen Principal |
16 |
15" | ext. Geigen Principal |
81 |
Wald Flute |
16 |
15" | ext. Wald Flute |
83 |
Tibia Clausa |
16 |
15" | ext. Tibia Clausa |
81 |
Wald Quint |
102/3 |
15" | ext. Wald Flute |
83 |
Tibia Quint |
102/3 |
15" | ext. Tibia Clausa |
84 |
Diapason Phonon |
8 |
15" | extended |
85 |
Horn Diapason |
8 |
15" | extended |
82 |
Geigen Principal |
8 |
15" | extended |
87 |
Gemshorn |
8 |
15" | extended |
88 |
Gemshorn Celeste |
8 |
15" | extended |
81 |
Wald Flute |
8 |
15" | extended |
86 |
Doppel Gedeckt |
8 |
15" | extended |
83 |
Tibia Clausa |
8 |
15" | extended |
89 |
Viola d'Gamba |
8 |
15" | extended |
90 |
Vox Celeste |
8 |
15" | extended |
91 |
Gemshorn Terz |
62/5 |
15" | extended |
92 |
Gemshorn Quint |
51/3 |
15" | extended |
81 |
Wald Quint |
51/3 |
15" | ext. Wald Flute |
93 |
Gemshorn Septieme |
44/7 |
15" | extended |
84 |
Octave Phonon |
4 |
15" | ext. Diapason Phonon |
85 |
Octave |
4 |
15" | ext. Horn Diapason |
82 |
Geigen Principal |
4 |
15" | ext. Geigen Principal |
87 |
Gemshorn |
4 |
15" | ext. Gemshorn |
88 |
Gemshorn Celeste |
4 |
15" | ext. Gemshorn Celeste |
81 |
Wald Flute |
4 |
15" | ext. Wald Flute |
86 |
Doppel Gedeckt |
4 |
15" | ext. Doppel Gedeckt |
83 |
Tibia Clausa |
4 |
15" | ext. Tibia Clausa |
89 |
Viola d'Gamba |
4 |
15" | ext. Viola d'Gamba |
90 |
Vox Celeste |
4 |
15" | ext. Vox Celeste |
88 |
Gemshorn Tenth |
31/5 |
15" | ext. Gemshorn Celeste |
91 |
Tenth |
31/5 |
15" | ext. Gemshorn Terz |
92 |
Twelfth |
22/3 |
15" | ext. Gemshorn Quint |
81 |
Flute Twelfth |
22/3 |
15" | ext. Wald Flute |
83 |
Minor Twelfth |
22/3 |
15" | ext. Tibia Clausa |
93 |
Octave Septieme |
22/7 |
15" | ext. Gemshorn Septieme |
85 |
Fifteenth |
2 |
15" | ext. Horn Diapason |
82 |
Geigen Fifteenth |
2 |
15" | ext. Geigen Principal |
87 |
Gemshorn Fifteenth |
2 |
15" | ext. Gemshorn |
81 |
Piccolo |
2 |
15" | ext. Wald Flute |
88 |
Gemshorn Seventeenth |
13/5 |
15" | ext. Gemshorn Celeste |
91 |
Seventeenth |
13/5 |
15" | ext. Gemshorn Terz |
92 |
Nineteenth |
11/3 |
15" | ext. Gemshorn Quint |
93 |
Twenty-First |
11/7 |
15" | ext. Gemshorn Septieme |
87 |
Gemshorn |
1 |
15" | ext. Gemshorn |
91 |
Twenty-Fourth |
4/5 |
15" | ext. Gemshorn Terz |
92 |
Twenty-Sixth |
2/3 |
15" | ext. Gemshorn Quint |
87 |
Twenty-Ninth |
1/2 |
15" | ext. Gemshorn |
87 |
Thirty-Sixth |
1/4 |
15" | ext. Gemshorn |
96 |
Saxophone |
16 |
15" | ext. Saxophone |
98 |
French Horn |
16 |
15" | ext. French Horn |
97 |
English Horn |
16 |
15" | ext. English Horn |
95 |
Oboe Horn |
16 |
15" | ext. Oboe Horn |
100 |
Krummhorn |
16 |
15" | ext. Krummhorn |
99 |
Vox Baryton |
16 |
15" | extended |
102 |
Orchestral Saxophone |
8 |
15" | |
96 |
Saxophone |
8 |
15" | extended |
101 |
Clarinet |
8 |
15" | |
98 |
French Horn |
8 |
15" | extended |
97 |
English Horn |
8 |
15" | extended |
95 |
Oboe Horn |
8 |
15" | extended |
103 |
Orchestral Oboe |
8 |
15" | |
100 |
Krummhorn |
8 |
15" | extended |
105 |
Vox Humana |
8 |
15" | extended |
99 |
Vox Humana |
8 |
15" | ext. Vox Baryton |
106 |
Kinura |
8 |
15" | |
96 |
Saxophone |
4 |
15" | ext. Saxophone |
98 |
French Horn |
4 |
15" | ext. French Horn |
97 |
English Horn |
4 |
15" | ext. English Horn |
95 |
Octave Horn |
4 |
15" | ext. Oboe Horn |
100 |
Krummhorn |
4 |
15" | ext. Krummhorn |
105 |
Vox Humana |
4 |
15" | ext. Vox Humana |
64 |
Flute Twelfth |
22/3 |
15" | |
108 |
Chimes |
8 |
| |
107 |
Harp |
8 |
| from Harp |
107 |
Harp |
4 |
| from Harp |
94 |
Xylophone |
4 |
| from Xylophone |
94 |
Xylophone |
2 |
| from Xylophone |
| GRAND GREAT - Manual 2 |
| This department is designed "to broaden the tonal effect" on the Auditorium's right side - as the Grand Choir does for the Left side. It registers - which will only sound when the Grand Great On stop-key has been operated - are derived mainly from Pedal Right ranks and are playable throughout the Great manual's seven-octave compass. |
4 |
Principal |
8 |
30" | from Principal, Pedal Right |
3 |
Tibia Major |
8 |
30" | from Tibia Major, Pedal Right |
3 |
Tibia Melody What's this? |
4 |
30" | from Tibia Major, Pedal Right |
1 |
Tibia Clausa |
8 |
20" | from Tibia Clausa, Pedal Right |
5 |
Viol |
8 |
30" | from Viol, Pedal Right |
5 |
Viol Melody What's this? |
4 |
30" | from Viol, Pedal Right |
21 |
Octave |
4 |
20" | from Sub Principal, Great |
4 |
Super Octave |
2 |
30" | from Principal, Pedal Right |
17 |
Dulzian |
32 |
35" | from Dulzian, Pedal Right |
8 |
Trombone |
16 |
35" | from Bombardon, Pedal Right |
8 |
Trombone Melody What's this? |
8 |
35" | from Bombardon, Pedal Right |
9 |
Ophicleide |
8 |
100" | from Grand Ophicleide, Pedal Right |
10 |
Trumpet |
8 |
20" | from Trumpet, Pedal Right |
10 |
Clarion |
4 |
20" | from Trumpet, Pedal Right |
10 |
Clarion Melody What's this? |
4 |
20" | from Trumpet, Pedal Right |
|
Grand Great On |
|
| |
| GREAT SECOND TOUCH - Manual 2 |
254 |
Viol Phonon |
8 |
25" | from Contra Basso, String I |
265 |
Violoncello |
8 |
15" | from Double Bass, String II |
266 |
Viol |
8 |
15" | from Contra Bass, String II |
267 |
Viol |
8 |
15" | from Contra Viol, String II |
108 |
Chimes |
8 |
| from Great-Solo |
E,F,G |
Muffled Drums |
|
| from Percussion |
|
Solo to Great |
8 |
| |
|
Solo to Great |
4 |
| |
|
Fanfare to Great |
8 |
| |
|
Gallery I to Great |
|
| |
|
Brass Chorus to Great |
|
| |
|
String I to Great |
|
| |
|
String II to Great |
|
| |
| SWELL - Manual 3 |
| The Swell is of fairly conventional design, if somewhat larger than usual. It consists of a number of stop families, i.e. principals (16-foot to mixtures), two reed choruses (high and low pressure), strings (16-8-8-8-8-8-4-4), and flutes (from 8-foot to 2-foot). There is a selection of orchestral-type reeds, too. All of the doubles are extended to 4-foot pitch, although independent 4-foot registers are also provided. |
117 |
Double Diapason |
16 |
15" | extended |
131 |
Contra Gamba |
16 |
15" | extended |
118 |
Diapason I |
8 |
15" | |
119 |
Diapason II |
8 |
15" | |
120 |
Waldhorn |
8 |
15" | |
124 |
Tibia Plena |
8 |
15" | |
125 |
Hohl Flute |
8 |
15" | |
127 |
Harmonic Flute |
8 |
15" | |
312 |
Harmonic Flute Celeste |
8 |
15" | |
126 |
Gross Gedeckt |
8 |
15" | |
135 |
Gamba |
8 |
15" | |
136 |
Gamba Celeste |
8 |
15" | |
132 |
Violin |
8 |
15" | |
133 |
Viol Celestes I (2 ranks) |
8 |
15" | |
134 |
Viol Celestes II (2 ranks) |
8 |
15" | |
128 |
Ocarina |
4 |
15" | |
121 |
Octave I |
4 |
15" | |
117 |
Octave II |
4 |
15" | ext. Double Diapason |
129 |
Traverse Flute |
4 |
15" | |
313 |
Silver Flute |
4 |
15" | |
137 |
Gambette |
4 |
15" | |
131 |
Salicet |
4 |
15" | ext. Contra Gamba |
122 |
Fifteenth |
2 |
15" | |
130 |
Orchestral Piccolo |
2 |
15" | |
317 |
Cymbal 12–26 |
VIII |
15" | |
123 |
Furniture 15–29 |
V |
15" | |
146 |
Plein Jeu 15–36 |
VII |
15" | |
138 |
Double Trumpet |
16 |
30" | extended |
142 |
Double Horn |
16 |
15" | extended |
139 |
Harmonic Trumpet |
8 |
30" | |
140 |
Field Trumpet |
8 |
30" | |
143 |
Posaune |
8 |
15" | |
144 |
Cornopean |
8 |
15" | |
314 |
Muted Trumpet |
8 |
15" | |
145 |
Flugel Horn |
8 |
15" | |
315 |
Krummhorn |
8 |
15" | |
316 |
Vox Humana |
8 |
15" | |
141 |
Trumpet Clarion |
4 |
30" | |
138 |
Trumpet Clarion |
4 |
30" | ext. Double Trumpet |
142 |
Octave Horn |
4 |
15" | ext. Double Horn |
|
Sub Octave |
16 |
| |
|
Octave |
4 |
| |
|
Choir to Swell |
16 |
| |
|
Choir to Swell |
8 |
| |
|
Choir to Swell |
4 |
| |
|
Solo to Swell |
16 |
| |
|
Solo to Swell |
8 |
| |
|
Solo to Swell |
4 |
| |
|
Fanfare to Swell |
8 |
| |
|
Fanfare to Swell |
4 |
| |
|
Echo to Swell |
16 |
| |
|
Echo to Swell |
8 |
| |
|
Echo to Swell |
4 |
| |
|
Gallery I to Swell |
|
| |
|
Gallery II to Swell |
|
| |
|
Gallery III to Swell |
|
| |
|
Gallery IV to Swell |
|
| |
|
Brass Chorus to Swell |
|
| |
|
String I to Swell |
|
| |
|
String II to Swell |
|
| |
|
String III to Swell |
|
| |
| SWELL-CHOIR - Manual 3 |
147 |
Gross Gedeckt |
16 |
15" | ext. Gross Gedeckt |
311 |
Stopped Diapason |
16 |
10" | ext. Stopped Diapason |
148 |
Cone Gamba |
16 |
15" | ext. Cone Gamba |
152 |
Gemshorn |
8 |
15" | extended |
153 |
Gemshorn Celeste I |
8 |
15" | extended |
154 |
Gemshorn Celeste II |
8 |
15" | extended |
149 |
Clarabella |
8 |
15" | extended |
150 |
Doppel Spitz Flute |
8 |
10" | extended |
147 |
Doppel Gedeckt |
8 |
15" | extended |
311 |
Stopped Diapason |
8 |
10" | extended |
148 |
Cone Gamba |
8 |
15" | extended |
155 |
Third |
62/5 |
10" | extended |
156 |
Fifth |
51/3 |
10" | extended |
153 |
Gemshorn Quint |
51/3 |
15" | ext. Gemshorn Celeste I |
148 |
Gamba Quint |
51/3 |
15" | ext. Cone Gamba |
157 |
Seventh |
44/7 |
10" | extended |
152 |
Octave Gemshorn |
4 |
15" | ext. Gemshorn |
149 |
Claribel Flute |
4 |
15" | ext. Clarabella |
150 |
Spitz Flute |
4 |
10" | ext. Doppel Spitz Flute |
147 |
Doppel Flute |
4 |
15" | ext. Doppel Gedeckt |
311 |
Stopped Flute |
4 |
10" | ext. Stopped Diapason |
151 |
Zauber Flute |
4 |
15" | extended |
148 |
Cone Flute |
4 |
15" | ext. Cone Gamba |
158 |
Ninth |
35/9 |
10" | extended |
155 |
Major Tenth |
31/5 |
10" | ext. Third |
154 |
Gemshorn Tenth |
31/5 |
15" | ext. Gemshorn Celeste II |
159 |
Eleventh |
210/11 |
10" | extended |
153 |
Gemshorn Twelfth |
22/3 |
15" | ext. Gemshorn Celeste I |
156 |
Twelfth |
22/3 |
10" | ext. Fifth |
149 |
Flute Twelfth |
22/3 |
15" | ext. Clarabella |
311 |
Stopped Flute Twelfth |
22/3 |
10" | ext. Stopped Diapason |
157 |
Octave Septieme |
22/7 |
10" | ext. Seventh |
152 |
Gemshorn Fifteenth |
2 |
15" | ext. Gemshorn |
147 |
Gedeckt Fifteenth |
2 |
15" | ext. Doppel Gedeckt |
151 |
Magic Flute |
2 |
15" | ext. Zauber Flute |
158 |
Sixteenth |
17/9 |
10" | ext. Ninth |
155 |
Major Seventeenth |
13/5 |
10" | ext. Third |
154 |
Gemshorn Seventeenth |
13/5 |
15" | ext. Gemshorn Celeste II |
159 |
Eighteenth |
15/11 |
10" | ext. Eleventh |
156 |
Major Nineteenth |
11/3 |
10" | ext. Fifth |
153 |
Gemshorn Nineteenth |
11/3 |
15" | ext. Gemshorn Celeste I |
157 |
Twenty-First |
11/7 |
10" | ext. Seventh |
152 |
Twenty-Second |
1 |
15" | ext. Gemshorn |
151 |
Zauber Twenty-Second |
1 |
15" | ext. Zauber Flute |
158 |
Twenty-Third |
8/9 |
10" | ext. Ninth |
155 |
Twenty-Fourth |
4/5 |
10" | ext. Third |
159 |
Twenty-Fifth |
8/11 |
10" | ext. Eleventh |
156 |
Twenty-Sixth |
2/3 |
10" | ext. Fifth |
152 |
Twenty-Ninth |
1/2 |
15" | ext. Gemshorn |
156 |
Thirty-Third |
1/3 |
10" | ext. Fifth |
152 |
Thirty-Sixth |
1/4 |
15" | ext. Gemshorn |
19 |
Fagotto |
32 |
20" | from Fagotto, Pedal Left |
160 |
Contra Oboe |
16 |
15" | ext. Oboe |
161 |
Bass Clarinet |
16 |
15" | ext. Clarinet |
162 |
Bass Vox Humana |
16 |
15" | ext. Vox Humana |
160 |
Oboe |
8 |
15" | extended |
161 |
Clarinet |
8 |
15" | extended |
162 |
Vox Humana |
8 |
15" | extended |
160 |
Octave Oboe |
4 |
15" | ext. Oboe |
161 |
Octave Clarinet |
4 |
15" | ext. Clarinet |
162 |
Vox Humana |
4 |
15" | ext. Vox Humana |
163 |
Marimba Harp Repeat |
8 |
| from Marimba Harp |
163 |
Marimba Harp Stroke |
8 |
| from Marimba Harp |
163 |
Marimba Harp Repeat |
4 |
| from Marimba Harp |
163 |
Marimba Harp Stroke |
4 |
| from Marimba Harp |
164 |
Glockenspiel Repeat |
4 |
| from Glockenspiel |
164 |
Glockenspiel Single |
4 |
| from Glockenspiel |
164 |
Glockenspiel Single |
2 |
| from Glockenspiel |
| SOLO - Manual 4 |
| This Bombard-type department includes big-scaled flutes, broad-toned strings, and powerful reeds. The nine-rank mixture - on 30 inches of wind - is a complete diapason chorus in itself. The biggest stops (on 100 inches and 50 inches) provide an awsome volume of reed tone that's full of weight, clang, and dignity. |
59 |
Major Flute |
16 | 30" | ext. Major Flute |
59 |
Flute Quint |
102/3 | 30" | ext. Major Flute |
71 |
Stentor Diapason |
8 | 30" | |
79 |
Diapason |
8 | 30" | 8' rank from Grand Chorus |
60 |
Tibia Rex |
8 | 30" | |
59 |
Major Flute |
8 | 30" | extended |
61 |
Hohl Flute |
8 | 20" | |
62 |
Flute Overte |
8 | 20" | |
66 |
Cello Pomposa |
8 | 20" | |
67 |
Cello Celeste |
8 | 20" | |
68 |
Violin |
8 | 20" | |
69 |
Violin Celeste |
8 | 20" | |
59 |
Flute Quint |
51/3 | 30" | ext. Major Flute |
72 |
Stentor Octave |
4 | 30" | |
79 |
Octave |
4 | 30" | 4' rank from Grand Chorus |
59 |
Major Flute |
4 | 30" | ext. Major Flute |
63 |
Wald Flute |
4 | 30" | |
70 |
Viola Pomposa |
4 | 20" | |
65 |
Harmonic Piccolo |
2 | 20" | |
79 |
Grand Chorus 1–29 |
IX | 30" | |
80 |
Carillon 17–24 |
IV | 30" | |
73 |
Tuba Magna |
16 | 50" | ext. Tuba Magna |
74 |
Trumpet Profunda |
16 | 30" | ext. Trumpet Profunda |
74 |
Trumpet Quint |
102/3 | 30" | ext. Trumpet Profunda |
75 |
Tuba Imperial |
8 | 100" | |
73 |
Tuba Magna |
8 | 50" | extended |
78 |
Bugle |
8 | 50" | |
76 |
Trumpet Royal |
8 | 30" | |
74 |
Trumpet Profunda |
8 | 30" | extended |
77 |
English Horn |
8 | 30" | |
104 |
French Horn |
8 | 30" | |
73 |
Magna Fifth |
51/3 | 50" | ext. Tuba Magna |
73 |
Tuba Clarion |
4 | 50" | ext. Tuba Magna |
74 |
Trumpet Clarion |
4 | 30" | ext. Trumpet Profunda |
|
Sub Octave |
16 |
| |
|
Octave |
4 |
| |
|
Choir to Solo |
8 |
| |
|
Great to Solo |
8 |
| |
|
Fanfare to Solo |
8 |
| |
|
Fanfare to Solo |
4 |
| |
|
Echo to Solo |
8 |
| |
|
Gallery I to Solo |
|
| |
|
Gallery II to Solo |
|
| |
|
Gallery III to Solo |
|
| |
|
Gallery IV to Solo |
|
| |
|
Brass Chorus to Solo |
|
| |
|
String I to Solo |
|
| |
|
String II to Solo |
|
| |
|
String III to Solo |
|
| |
| SOLO-GREAT - Manual 4 |
82 |
Geigen Principal |
16 |
15" | from Great-Solo |
81 |
Wald Flute |
16 |
15" | from Great-Solo |
83 |
Tibia Clausa |
16 |
15" | from Great-Solo |
81 |
Wald Quint |
102/3 |
15" | from Great-Solo |
83 |
Tibia Quint |
102/3 |
15" | from Great-Solo |
84 |
Diapason Phonon |
8 |
15" | from Great-Solo |
85 |
Horn Diapason |
8 |
15" | from Great-Solo |
82 |
Geigen Principal |
8 |
15" | from Great-Solo |
87 |
Gemshorn |
8 |
15" | from Great-Solo |
88 |
Gemshorn Celeste |
8 |
15" | from Great-Solo |
81 |
Wald Flute |
8 |
15" | from Great-Solo |
86 |
Doppel Gedeckt |
8 |
15" | from Great-Solo |
83 |
Tibia Clausa |
8 |
15" | from Great-Solo |
89 |
Viola d'Gamba |
8 |
15" | from Great-Solo |
90 |
Vox Celeste |
8 |
15" | from Great-Solo |
91 |
Gemshorn Terz |
62/5 |
15" | from Great-Solo |
92 |
Gemshorn Quint |
51/3 |
15" | from Great-Solo |
81 |
Wald Quint |
51/3 |
15" | from Great-Solo |
93 |
Gemshorn Septieme |
44/7 |
15" | from Great-Solo |
84 |
Octave Phonon |
4 |
15" | from Great-Solo |
85 |
Octave |
4 |
15" | from Great-Solo |
82 |
Geigen Principal |
4 |
15" | from Great-Solo |
87 |
Gemshorn |
4 |
15" | from Great-Solo |
88 |
Gemshorn Celeste |
4 |
15" | from Great-Solo |
81 |
Wald Flute |
4 |
15" | from Great-Solo |
86 |
Doppel Gedeckt |
4 |
15" | from Great-Solo |
83 |
Tibia Clausa |
4 |
15" | from Great-Solo |
89 |
Viola d'Gamba |
4 |
15" | from Great-Solo |
90 |
Vox Celeste |
4 |
15" | from Great-Solo |
88 |
Gemshorn Tenth |
31/5 |
15" | from Great-Solo |
91 |
Tenth |
31/5 |
15" | from Great-Solo |
92 |
Twelfth |
22/3 |
15" | from Great-Solo |
81 |
Flute Twelfth |
22/3 |
15" | from Great-Solo |
83 |
Minor Twelfth |
22/3 |
15" | from Great-Solo |
93 |
Octave Septieme |
22/7 |
15" | from Great-Solo |
85 |
Fifteenth |
2 |
15" | from Great-Solo |
82 |
Geigen Fifteenth |
2 |
15" | from Great-Solo |
87 |
Gemshorn Fifteenth |
2 |
15" | from Great-Solo |
81 |
Piccolo |
2 |
15" | from Great-Solo |
88 |
Gemshorn Seventeenth |
13/5 |
15" | from Great-Solo |
91 |
Seventeenth |
13/5 |
15" | from Great-Solo |
92 |
Nineteenth |
11/3 |
15" | from Great-Solo |
93 |
Twenty-First |
11/7 |
15" | from Great-Solo |
87 |
Gemshorn |
1 |
15" | from Great-Solo |
91 |
Twenty-Fourth |
4/5 |
15" | from Great-Solo |
92 |
Twenty-Sixth |
2/3 |
15" | from Great-Solo |
87 |
Twenty-Ninth |
1/2 |
15" | from Great-Solo |
87 |
Thirty-Sixth |
1/4 |
15" | from Great-Solo |
96 |
Saxophone |
16 |
15" | from Great-Solo |
98 |
French Horn |
16 |
15" | from Great-Solo |
97 |
English Horn |
16 |
15" | from Great-Solo |
95 |
Oboe Horn |
16 |
15" | from Great-Solo |
100 |
Krummhorn |
16 |
15" | from Great-Solo |
99 |
Vox Baryton |
16 |
15" | from Great-Solo |
102 |
Orchestral Saxophone |
8 |
15" | from Great-Solo |
96 |
Saxophone |
8 |
15" | from Great-Solo |
101 |
Clarinet |
8 |
15" | from Great-Solo |
98 |
French Horn |
8 |
15" | from Great-Solo |
97 |
English Horn |
8 |
15" | from Great-Solo |
95 |
Oboe Horn |
8 |
15" | from Great-Solo |
103 |
Orchestral Oboe |
8 |
15" | from Great-Solo |
100 |
Krummhorn |
8 |
15" | from Great-Solo |
105 |
Vox Humana |
8 |
15" | from Great-Solo |
99 |
Vox Humana |
8 |
15" | from Great-Solo |
106 |
Kinura |
8 |
15" | from Great-Solo |
96 |
Saxophone |
4 |
15" | from Great-Solo |
98 |
French Horn |
4 |
15" | from Great-Solo |
97 |
English Horn |
4 |
15" | from Great-Solo |
95 |
Octave Horn |
4 |
15" | from Great-Solo |
100 |
Krummhorn |
4 |
15" | from Great-Solo |
105 |
Vox Humana |
4 |
15" | from Great-Solo |
64 |
Flute Twelfth |
22/3 |
15" | from Great-Solo |
108 |
Chimes |
8 |
| from Great-Solo |
107 |
Harp |
8 |
| from Great-Solo |
107 |
Harp |
4 |
| from Great-Solo |
94 |
Xylophone |
4 |
| from Great-Solo |
94 |
Xylophone |
2 |
| from Great-Solo |
| FANFARE - Manual 5 |
197 |
Major Flute |
16 | 20" | extended |
212 |
Stentor Diapason |
8 | 35" | 8' rank from Stentor Mixture |
199 |
Stentorphone |
8 | 20" | |
198 |
Stentor Flute |
8 | 35" | |
200 |
Pileata Magna |
8 | 20" | |
304 |
Gamba Tuba |
8 | 20" | |
305 |
Gamba Tuba Celeste |
8 | 20" | |
212 |
Stentor Octave |
4 | 35" | 4' rank from Stentor Mixture |
197 |
Major Flute |
4 | 20" | ext. Major Flute |
201 |
Flute Octaviante |
4 | 20" | |
306 |
Gamba Clarion |
4 | 20" | |
203 |
Recorder |
22/3 | 20" | |
202 |
Fife |
2 | 20" | |
212 |
Stentor Mixture 1–22 |
VII | 35" | |
307 |
Harmonic Mixture 17–29 |
VI | 20" | |
204 |
Cymbale 19–33 |
V | 20" | |
205 |
Contra Posaune |
16 | 50" | ext. Posaune |
206 |
Contra Bombardon |
16 | 35" | ext. Bombardon |
299 |
Contra Trombone |
16 | 35" | ext. Trombone |
209 |
Tromba Quint |
102/3 | 20" | extended |
207 |
Harmonic Tuba |
8 | 50" | extended |
207 |
Tuba Melody What's this? |
4 | 50" | from Harmonic Tuba |
208 |
Ophicleide |
8 | 50" | |
205 |
Posaune |
8 | 50" | extended |
206 |
Bombardon |
8 | 35" | extended |
299 |
Trombone |
8 | 35" | extended |
209 |
Tromba |
8 | 20" | ext. Tromba Quint |
210 |
Tromba Tierce |
62/5 | 20" | |
299 |
Trombone Fifth |
51/3 | 35" | ext. Trombone |
209 |
Tromba Fifth |
51/3 | 20" | ext. Tromba Quint |
211 |
Major Clarion |
4 | 50" | |
207 |
Harmonic Clarion |
4 | 50" | ext. Harmonic Tuba |
205 |
Octave Posaune |
4 | 50" | ext. Posaune |
206 |
Bombardon |
4 | 35" | ext. Bombardon |
299 |
Trombone Clarion |
4 | 35" | ext. Trombone |
210 |
Tromba Tierce |
31/5 | 20" | ext. Tromba Tierce |
209 |
Tromba Twelfth |
22/3 | 20" | ext. Tromba Quint |
206 |
Bombardon |
2 | 35" | ext. Bombardon |
|
Choir to Fanfare |
16 |
| |
|
Choir to Fanfare |
8 |
| |
|
Choir to Fanfare |
4 |
| |
|
Great to Fanfare |
8 |
| |
|
Swell to Fanfare |
16 |
| |
|
Swell to Fanfare |
8 |
| |
|
Swell to Fanfare |
4 |
| |
|
Solo to Fanfare |
8 |
| |
|
Echo to Fanfare |
8 |
| |
|
Gallery I to Fanfare |
|
| |
|
Gallery II to Fanfare |
|
| |
|
Gallery III to Fanfare |
|
| |
|
Gallery IV to Fanfare |
|
| |
|
String I to Fanfare |
|
| |
|
String II to Fanfare |
|
| |
|
String III to Fanfare |
|
| |
| ECHO - Manual 6 |
214 |
Spire Flute |
16 | 15" | ext. Spire Flute |
298 |
Contra Violone |
16 | 25" | ext. Violone |
213 |
Contra Gamba |
16 | 15" | ext. Gamba |
215 |
Diapason |
8 | 15" | |
219 |
Waldhorn |
8 | 15" | |
220 |
Clarabella |
8 | 15" | extended |
214 |
Spire Flute |
8 | 15" | extended |
216 |
Spitz Flute |
8 | 15" | |
217 |
Spitz Flute Celeste I |
8 | 15" | |
218 |
Spitz Flute Celeste II |
8 | 15" | extended |
222 |
Flute Sylvestre |
8 | 15" | |
223 |
Flute Celeste |
8 | 15" | |
221 |
Tibia Mollis |
8 | 15" | |
298 |
Violone |
8 | 25" | extended |
319 |
Violone Celeste |
8 | 25" | |
213 |
Gamba |
8 | 15" | extended |
220 |
Open Flute |
4 | 15" | ext. Clarabella |
224 |
Rohr Flute |
4 | 15" | |
214 |
Spire Flute |
4 | 15" | ext. Spire Flute |
298 |
Violone |
4 | 25" | ext. Violone |
213 |
Gamba |
4 | 15" | ext. Gamba |
218 |
Spitz Tenth |
31/5 | 15" | ext. Spitz Flute Celeste II |
220 |
Open Flute |
22/3 | 15" | ext. Clarabella |
214 |
Spire Flute |
22/3 | 15" | ext. Spire Flute |
220 |
Flute Fifteenth |
2 | 15" | ext. Clarabella |
214 |
Spire Flute |
2 | 15" | ext. Spire Flute |
218 |
Spitz Seventeenth |
13/5 | 15" | ext. Spitz Flute Celeste II |
214 |
Spire Flute |
11/3 | 15" | ext. Spire Flute |
214 |
Spire Flute |
1 | 15" | ext. Spire Flute |
225 |
Mixture Aetheria 15–29 |
VI | 15" | |
231 |
Tuba d'Amour |
16 | 25" | ext. Tuba d'Amour |
226 |
Contra Bassoon |
16 | 15" | ext. Bassoon |
227 |
Chalumeau |
16 | 15" | ext. Clarinet |
230 |
Vox Humana |
16 | 15" | ext. Vox Humana II |
231 |
Tuba d'Amour |
8 | 25" | extended |
228 |
Trumpet Minor |
8 | 15" | |
229 |
Cor d'Amour |
8 | 15" | |
226 |
Bassoon |
8 | 15" | extended |
227 |
Clarinet |
8 | 15" | extended |
303 |
Vox Humana I |
8 | 15" | |
230 |
Vox Humana II |
8 | 15" | extended |
231 |
Tuba d'Amour |
4 | 25" | ext. Tuba d'Amour |
226 |
Octave Bassoon |
4 | 15" | ext. Bassoon |
227 |
Octave Clarinet |
4 | 15" | ext. Clarinet |
230 |
Vox Humana |
4 | 15" | ext. Vox Humana II |
232 |
Chimes |
8 | | |
|
Sub Octave |
16 |
| |
|
Octave |
4 |
| |
|
Choir to Echo |
8 |
| |
|
Great to Echo |
8 |
| |
|
Solo to Echo |
8 |
| |
|
Fanfare to Echo |
8 |
| |
|
Gallery I to Echo |
|
| |
|
Gallery II to Echo |
|
| |
|
Gallery III to Echo |
|
| |
|
Gallery IV to Echo |
|
| |
|
String I to Echo |
|
| |
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String II to Echo |
|
| |
|
String III to Echo |
|
| |
| BOMBARD - Manual 7 |
|
Gallery I to Bombard |
|
| |
|
Gallery II to Bombard |
|
| |
|
Gallery III to Bombard |
|
| |
|
Gallery IV to Bombard |
|
| |
| GALLERY I - Floating |
233 |
Contra Diaphone |
16 |
25" | extended |
233 |
Diaphone |
8 |
25" | ext. Contra Diaphone |
318 |
Diapason |
8 |
25" | 8' rank from Mixture Mirabilis |
318 |
Octave |
4 |
25" | 4' rank from Mixture Mirabilis |
318 |
Mixture Mirabilis 1–22 |
VII | 25" | |
235 |
Trumpet Mirabilis |
16 |
100" | extended |
235 |
Trumpet Melody What's this? |
16 |
100" | from Trumpet Mirabilis |
234 |
Tuba Maxima |
8 |
100" | extended |
235 |
Trumpet Imperial |
8 |
100" | ext. Trumpet Mirabilis |
234 |
Clarion Mirabilis |
4 |
100" | ext. Tuba Maxima |
234 |
Clarion Melody What's this? |
4 |
100" | from Clarion Mirabilis |
235 |
Clarion Real |
4 |
100" | ext. Trumpet Mirabilis |
| GALLERY II - Floating |
242 |
Flauto Maggiore |
16 |
25" | extended |
243 |
Jubal Flute |
8 |
25" | |
243 |
Flute Melody What's this? |
4 |
25" | from Jubal Flute |
244 |
Harmonic Flute |
8 |
25" | |
245 |
Harmonic Flute |
4 |
25" | |
242 |
Flute Melodic |
4 |
25" | ext. Flauto Maggiore |
246 |
Harmonic Twelfth |
22/3 |
25" | |
247 |
Harmonic Piccolo |
2 |
25" | |
248 |
Harmonic Mixture 17–22 |
III |
25" | |
|
Sub Octave |
16 |
| |
|
Octave |
4 |
| |
| GALLERY III - Floating |
236 |
Contra Diapason |
16 |
20" | extended |
237 |
Diapason I |
8 |
20" | |
238 |
Diapason II |
8 |
20" | |
239 |
Octave I |
4 |
20" | |
236 |
Octave II |
4 |
20" | ext. Contra Diapason |
240 |
Fifftenth |
2 |
20" | |
241 |
Mixture 12–22 |
IV |
20" | |
A |
Grand Piano |
16 |
| from Percussion |
A |
Grand Piano |
8 |
| from Percussion |
A |
Grand Piano |
4 |
| from Percussion |
| GALLERY IV - Floating |
249 |
Contra Saxophone |
16 |
25" | ext. Saxophone |
300 |
Brass Trumpet |
8 |
25" | |
302 |
Egyptian Horn |
8 |
25" | |
301 |
Euphone |
8 |
25" | |
253 |
Major Clarinet |
8 |
25" | |
250 |
Major Oboe |
8 |
25" | |
251 |
Musette Mirabilis |
8 |
25" | |
252 |
Cor d'Orchestre |
8 |
25" | |
249 |
Saxophone |
8 |
25" | extended |
249 |
Octave Saxophone |
4 |
25" | ext. Saxophone |
|
Sub Octave |
16 |
| |
|
Octave |
4 |
| |
| BRASS CHORUS - Floating |
109 |
Trombone |
16 |
25" | |
110 |
Trombone I |
8 |
25" | |
111 |
Trombone II |
8 |
25" | |
112 |
Tromba Quint |
51/3 |
20" | |
113 |
Trombone |
4 |
25" | |
114 |
Tromba Twelfth |
22/3 |
20" | |
115 |
Trombone |
2 |
25" | |
116 |
Tierce Mixture 10–22 |
III |
20" | |
| STRING I - Floating |
254 |
Contra Basso |
16 |
25" | extended |
255 |
Cello |
8 |
25" | |
256 |
Cello Celestes I (2 ranks) |
8 |
25" | |
257 |
Cello Celestes II (2 ranks) |
8 |
25" | |
258 |
Violins I (2 ranks) |
8 |
25" | |
259 |
Violins II (2 ranks) |
8 |
25" | |
260 |
Violins III (2 ranks) |
8 |
25" | |
261 |
Violins IV (2 ranks) |
8 |
25" | |
262 |
Violins Secundo I (2 ranks) |
8 |
25" | |
263 |
Violins Secundo II (2 ranks) |
8 |
25" | |
254 |
Octave Viola |
4 |
25" | ext. Contra Basso |
264 |
Violins Secundo (2 ranks) |
4 |
25" | |
|
Sub Octave |
16 |
| |
|
Octave |
4 |
| |
|
Melody What's this? |
16 |
| |
|
Melody What's this? |
4 |
| |
|
Pizzicato What's this? | |
| |
|
Separation What's this? | |
| |
| STRING II - Floating |
265 |
Double Bass |
16 |
15" | extended |
266 |
Contra Bass |
16 |
15" | extended |
267 |
Contra Viol |
16 |
15" | extended |
268 |
Viola Diapason |
8 |
15" | |
269 |
Violincello |
8 |
15" | |
270 |
Cello Phonon |
8 |
15" | |
271 |
Cello |
8 |
15" | |
272 |
Cello Celestes (2 ranks) |
8 |
15" | |
273 |
Viola Phonon |
8 |
15" | |
274 |
Viola Celestes (2 ranks) |
8 |
15" | |
275 |
Viol Phonon |
8 |
15" | |
276 |
Viol |
8 |
15" | |
277 |
Viol Celestes I (2 ranks) |
8 |
15" | |
278 |
Viol Celestes II (2 ranks) |
8 |
15" | |
279 |
Viol Celestes III (2 ranks) |
8 |
15" | |
280 |
Viol Celestes IV (2 ranks) |
8 |
15" | |
281 |
Viol Celestes V (2 ranks) |
8 |
15" | |
287 |
Flute Quint |
51/3 |
15" | ext. Stopped Flute |
284 |
Viol Principal |
4 |
15" | |
265 |
Octave Cello I |
4 |
15" | ext. Double Bass |
266 |
Octave Cello II |
4 |
15" | ext. Contra Bass |
267 |
Octave Violin |
4 |
15" | ext. Contra Viol |
282 |
Violins (2 ranks) |
4 |
15" | |
283 |
Violas (2 ranks) |
4 |
15" | |
287 |
Stopped Flute |
4 |
15" | extended |
288 |
Flute Twelfth | 2
2/3 |
15" | |
287 |
Piccolo |
2 |
15" | ext. Stopped Flute |
285 |
String Mixture 10–22 |
V |
15" | |
286 |
Tromba d'Amour |
8 |
15" | |
|
Sub Octave |
16 |
| |
|
Octave |
4 |
| |
|
Melody What's this? |
16 |
| |
|
Melody What's this? |
4 |
| |
|
Pizzicato What's this? | |
| |
|
Separation What's this? | |
| |
| STRING III - Floating |
289
|
Cello Celestes I (2 ranks) |
8 |
15" | |
290 |
Cello Celestes II (2 ranks) |
8 |
15" | |
291 |
Viola Celestes (2 ranks) |
8 |
15" | |
292 |
Viol Celestes I (2 ranks) |
8 |
15" | |
293 |
Viol Celestes II (2 ranks) |
8 |
15" | |
294 |
Viol Celestes III (2 ranks) |
8 |
15" | |
295 |
Viol Celestes IV (2 ranks) |
8 |
15" | |
296 |
Viol Celestes V (2 ranks) |
8 |
15" | |
297 |
Cor Anglais |
8 |
15" | |
|
Sub Octave |
16 |
| |
|
Octave |
4 |
| |
A |
Grand Piano |
16 |
| from Percussion |
A |
Grand Piano |
8 |
| from Percussion |
A |
Grand Piano |
4 |
| from Percussion |
TREMOLOS |
Unenclosed Choir | Choir | Choir Philomela |
Great-Solo Flues | Great-Solo Tibia Clausa | Great-Solo Reeds |
Swell | Swell-Choir | Swell-Choir Vox Humana |
Solo 20" | Fanfare | Fanfare Pileata Magna |
Echo | Gallery IV | String I |
String II | String III | Master |
In addition to the above registers, there are 120 selectives for switching the swell boxes onto the swell pedals. This brings the total number of stop-keys on the console to 1,235.
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ATLANTIC CITY CONVENTION HALL ORGAN SOCIETY, INC. 1009 BAY RIDGE AVENUE PMB 108, ANNAPOLIS, MD 21403, U.S.A.
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